Crossed-arch vaults in late-gothic and early Renaissance vaulting: a problem in building technology transfer

Fuentes González, Paula and Huerta Fernández, Santiago (2015). Crossed-arch vaults in late-gothic and early Renaissance vaulting: a problem in building technology transfer. In: "Fifth International Congress on Construction History", 3-7 junio 2015, Palmer House Hilton, Chicago, Illinois. ISBN 978-1-329-15031-7.

Description

Title: Crossed-arch vaults in late-gothic and early Renaissance vaulting: a problem in building technology transfer
Author/s:
  • Fuentes González, Paula
  • Huerta Fernández, Santiago
Item Type: Presentation at Congress or Conference (Article)
Event Title: Fifth International Congress on Construction History
Event Dates: 3-7 junio 2015
Event Location: Palmer House Hilton, Chicago, Illinois
Title of Book: Proceedings of the Fifth International Congress on Construction History (3-7 June 2015, Chicago, Illinois)
Date: June 2015
ISBN: 978-1-329-15031-7
Volume: 2
Subjects:
Freetext Keywords: Bóvedas nervadas, transferencia de técnicas constructivas, Leonardo, gótico tardío Rib Masonry Vaults, Building technology transfer, Leonardo, Late-Gothic vaulting
Faculty: E.T.S. Arquitectura (UPM)
Department: Estructuras y Física de Edificación
Creative Commons Licenses: Recognition - No derivative works - Non commercial

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Abstract

Crossed-arch vaults are a particular type of ribbed vaults. Their main feature is that the ribs that form the vault are intertwined, forming polygons or stars and leaving an empty space in the middle. The firsts appear in Córdoba in the second half of the 10th Century. Afterwards, the type diffused through Spain and North Africa, 11th_13th Centuries. These vaults reappear in Armenia in the 13th Century. In the 14th and 15th Century a few examples are found both in England (Durham, Raby) and Central Europe (Prague, Landshut, Vienna). At about the same time, Leonardo da Vinci produced designs for the Tiburio (Ciborium) of Milan cathedral with a cross-arched structure and proposed tests to assess the strength; he also, made use of the same pattern of vault for Renaissance centralized churches. Eventually, the type can be tracked through the 17th (Guarini) and 18th (Vittone) Centuries, until Spanish post war architecture in the 1940-60s (Moya). Some questions arose, which so far, have not been answered. How was it possible that a particular type of vault had such enormous geographical spread? How was it transmitted from Córdoba to the Caucasus? The matter is one of transfer of knowledge, ideas, and technology; it relates both aesthetics and construction.

More information

Item ID: 36242
DC Identifier: http://oa.upm.es/36242/
OAI Identifier: oai:oa.upm.es:36242
Deposited by: Profesor S. Huerta
Deposited on: 22 Jun 2015 06:54
Last Modified: 22 Jun 2015 06:54
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