El taller del artista como entorno performativo de la obra = The Artist’s Workshop Like a Performative Environment of the Artwork

Pérez Jiménez, Ruth (2018). El taller del artista como entorno performativo de la obra = The Artist’s Workshop Like a Performative Environment of the Artwork. "HipoTesis Serie Numerada" (n. 6); pp. 58-72. ISSN 2340-5147.

Description

Title: El taller del artista como entorno performativo de la obra = The Artist’s Workshop Like a Performative Environment of the Artwork
Author/s:
  • Pérez Jiménez, Ruth
Item Type: Article
Título de Revista/Publicación: HipoTesis Serie Numerada
Date: December 2018
Subjects:
Freetext Keywords: Taller del artista; performativo; Piet Mondrian; Kurt Schwitters; Louise Bourgeois; Anselm Kiefer = Artist studio/workshop; performative; Piet Mondrian; Kurt Schwitters; Louise Bourgeois; Anselm Kiefer
Faculty: E.T.S. Arquitectura (UPM)
Department: Otro
Creative Commons Licenses: Recognition - No derivative works - Non commercial

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Abstract

El taller es un espacio funcional donde el artista crea y produce la obra; marco y materia de la propia creación. Esta relación entre taller y obra puede ser tan estrecha que ambos evolucionan en paralelo motivando cambios estéticos, materiales y espaciales; situando el proceso plástico en la configuración misma del entorno creativo, lo cual añade un carácter performativo al lugar de creación. A través del análisis de los talleres de cuatro artistas como Piet Mondrian, Kurt Schwitters, Louise Bourgeois o Anselm Kiefer, este artículo tratará de demostrar la influencia y la íntima relación entre estos lugares de producción y la obra de arte; así como entre la concepción plástica del artista y su filosofía y modo de vida, como un todo; formando un grupo indisociable que modifica el estatus de la obra individual y le añade un valor de conjunto. Mostrando una perspectiva diferente sobre la concepción y significado de la obra, y su lugar de creación. ----------ABSTRACT---------- The artist’s studio/workshop is a functional place for creation, and also the frame and a part of the raw material of their work. This relationship between the work of art and its production place is sometimes so close that their evolutions run together; as a matter of it, aesthetic, material and spatial changes are incited in both directions. In that case, the work’s creation process takes place in an architectural making of, and the workshop turns into a performative place. Through analysis of the workshops of Piet Mondrian, Kurt Schwitters, Louise Bourgeois or Anselm Kiefer this research will show the influence and the close relationship that exists between this production places and the work of art; but also between the artist’s work, their philosophy and way of life, as a whole, between art, life an environment. Showing a different perspective on the conception and meaning of the artwork, and its creation place.

More information

Item ID: 53584
DC Identifier: http://oa.upm.es/53584/
OAI Identifier: oai:oa.upm.es:53584
Official URL: http://hipo-tesis.eu/serienumerada/index.php/ojs/article/view/32
Deposited by: Memoria Investigacion
Deposited on: 06 Feb 2019 10:48
Last Modified: 06 Feb 2019 10:48
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