@unpublished{upm71176,
           title = {Un viaje de simbolismos: arquitectura japonesa de El viaje de Chihiro},
          author = {Diego Ballesteros Campa},
            year = {2022},
        abstract = {El presente trabajo pretende reconocer el valor impl{\'i}cito de lo cotidiano en la disciplina arquitect{\'o}nica, en concreto en el {\'a}mbito de la sociedad nipona, mediante el an{\'a}lisis y desarrollo de cinco conceptos que caracterizan en gran medida a la cultura japonesa. El objeto de an{\'a}lisis pertenece al g{\'e}nero del anime, en concreto a la compa{\~n}{\'i}a Studio Ghibli, partiendo de la hip{\'o}tesis de que el cine y la arquitectura son disciplinas que guardan gran relaci{\'o}n, se nutren entre ellas, y se rigen por principios similares. El proceso creativo que sigue el estudio tiene adem{\'a}s como bases muchos de los fundamentos de la tradici{\'o}n cultural japonesa. Es por ello que se ha seleccionado una de sus pel{\'i}culas m{\'a}s representativas: El viaje de Chihiro. El an{\'a}lisis de la pel{\'i}cula se realiza a trav{\'e}s del filtro derivado de la investigaci{\'o}n realizada sobre los conceptos propuestos inicialmente, entendiendo as{\'i} el proceso creativo espec{\'i}fico nip{\'o}n. De esta forma, se adquiere una visi{\'o}n m{\'a}s amplia desde la que comprender lo cotidiano desde m{\'u}ltiples perspectivas complementarias. Una vez determinados los aspectos relevantes para la definici{\'o}n de la trama, escenas y personajes de la pel{\'i}cula, se tratar{\'a} de relacionarlos con conceptos y casos de estudio relacionados con la arquitectura y con otras disciplinas. Se genera un documento recopilatorio en el que escenas habituales, pertenecientes al {\'a}mbito de lo tangible pero tambi{\'e}n a lo intangible, construyen una nube de conceptos. Siem?pre presentes en la arquitectura, permitir{\'a}n comprender el proceso creativo de la pel{\'i}cula objeto de estudio como algo capaz de transcender el medio de difusi{\'o}n en el que fue concebida, mostr{\'a}ndose ante el espectador como un alegato de cultura japonesa, cuyo simbolismo impl{\'i}cito le confiere un car{\'a}cter universal = This paper aims to recognize the implicit value of everyday life in the architectural discipline, specifically in the field of Japanese society, through the analysis and de?velopment of five concepts that largely characterize Japanese culture. The object of analysis belongs to the anime genre, specifically to the Studio Ghibli company, based on the hypothesis that cinema and architecture are disciplines that are closely related, nurture each other, and are governed by similar principles. The creative process followed by the studio is also based on many of the foundations of the Japanese cultural tradition. That is why one of his most representative films has been selected: Spirited Away. The analysis of the film is carried out through the filter derived from the research carried out on the concepts initially proposed, thus understanding the specific Japanese creative process. In this way, a broader vision is acquired from which the everyday is understood from multiple complementary perspectives. Once the relevant aspects for defining the plot, scenes and characters of the film have been determined, an attempt will be made to relate them to concepts and case studies related to architecture and other disciplines. A compilation document is generated in which habitual scenes, belonging to the realm of the tangible but also to the intangible, build a cloud of concepts. Always present in architecture, they will be able to understand the creative process of the film under study as something capable of transcending the media in which it was conceived, appearing to the viewer as an allegation of Japanese culture, whose implicit symbolism conveyed a character universal.},
             url = {https://oa.upm.es/71176/},
        keywords = {Jap{\'o}n ; Anime ; Viaje ; Cine ; Simbolismo ; Arquitectura fant{\'a}stica}
}